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Recorded, Mixed & Mastered by #GMCOfficialMusic:
Check It Out Below:
Recorded, Mixed & Mastered by #GMCOfficialMusic:
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New Kinetic Typography Style lyric video by #BajanHipHop artist & producer GMC called “Go N Get It”.
Video done by: #GMCOfficialMusic
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Download #GMCOfficialMusic ’s second highly anticipated self-produced street album titled The Bridgetown Knight 2:
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#BajanHiphop/Rap artist & producer #GMCOfficialMusic’s second highly anticipated self-produced street album titled “The Bridgetown Knight 2“
Name: GMC- The Bridgetown Knight 2
Genre: Rap | Hip-Hop
Label: Futuristik Musik Group[Indie]
Featuring: BelleHop/Robbin HooD/Piranha Ice/Maloneyy/Antonio/Phoenix
Producers: GMCOfficialMusic [Self-Produced]
Format: mp3 | 320 kbps
Duration: 53 Minutes
Size: 135.9 MB
GMC- The Bridgetown Knight 2[Street album]download link:
Powered By: Futuristik Musik Group | Uneasy Riders Wear | 246Mixtapes & Flight Skool Ent.
For More Info, Bookings, Recording sessions & features, email GMC @ firstname.lastname@example.org
Feel Free To Download , Comment , Share And Like These Pages & Thanks In Advance For All The Support!
-The Bridgetown Knight II
Right then, you’ve been writing and performing for a while now, you’ve got a nice notepad scribbled with lyrics and a hard drive full of demos and a fanbase that hits a few cities. So you might be fooled into thinking now would be a good time to take some time out to write an album, right?
I decided to put this post together because I wanted to benefit you, artists that are excited to release material. When you are marketing an album you have to remember that visibility is key. In order to get more sales or more downloads you have to reach more people. You reach more people by creating shareable content.
Figure out how you’re going to digitally distribute the album, and a physical CD only release or selling the CD and mp3′s strictly on your website is not the way to go. You need to make your music available everywhere digital music can be streamed and bought, such as on iTunes and Spotify, and the best way to do that is work with a digital distribution company like CD Baby or Tunecore. With that said, I talk to people all the time who then take this one step too far and sign up with multiple distribution companies because they think they are covering all their bases this way. Which they are not. All that does is put multiple copies of the same album on iTunes and the like, which looks silly and can cause unnecessary confusion. And if you plan on working with a PR company to promote the release don’t set the release date until AFTER you have talked with them first.
Make sure your online presence is complete, effective and contains all the necessary promotional tools. There are lots of places online that artists can have a presence, here I talk about three of the most important sites: Official Website, Facebook and YouTube.
Official Website – Your website should have a place where people can easily listen to and buy your music (but not a player that plays automatically when a person enters the site, can’t stress that enough), a homepage that has a news section where people can read the latest happenings with your career, and a newsletter sign up form, one that offers an incentive for signing up such as free music or discounts on merch. Plus it always surprises when I go to an artist website and can’t find any contact information or links to their social media networks.
Facebook – Just as important as your website is your Facebook Fan Page. On the new timeline there are three tabs that are on display; one tab should be a band profile that at a minimum contains a music player, tour dates and press quotes. Next is a newsletter sign up form, and again, this should offer an incentive for signing up. And the last visible tab should be a Store.
YouTube – Another important piece of your online presence is YouTube. I’m always curious how people listen and discover new music and time and time again the response I hear back is YouTube. It’s critical to have videos up on YouTube for every song of the new release by the release date or soon after. Not saying these have to be well produced music videos, but just the songs themselves. To do this some artists just put up an image of their cover and leave it at that, but people are much more inclined to listen to your music if there are scrolling lyrics they can read as they listen or if there is a slideshow to watch. Taking free archival footage and editing together to make a music video is another relatively easy and inexpensive way to create a video for your songs, and can be a lot of fun too.
This is real simple. Have one. And contact your mailing list once a month with news. Don’t cut corners on this either, a newsletter is where you’ll see the greatest impact on sales. All the tweets and facebook posts about a new album out for sale won’t equal the results of a well crafted newsletter, so spend money on a mailing list service provider that can help you design a rich looking email and provide analytics and tracking capabilities so you can measure the effectiveness of your newsletters and make adjustments where need be.
Ideally you’ll have a tour booked immediately following the release, which greatly helps a PR campaign. A local blog or local newspaper will be much more inclined to cover a new album for an artist if a show is booked in town. And not saying this has to be a month long tour, just a few regional dates will help with your press efforts. Now timing can be tricky here, just like setting a release date too soon, you don’t want to book a tour and then not have the album ready or press plan in place. So wait until you have a better idea of what that will look like and then start booking a tour, and if the tour doesn’t happen until a month or so after the release that is quite alright.
Pretty much everything in regards to your music career takes longer than expected, from making the album to creating the artwork to booking shows, and this definitely applies to any merchandise you want to have available to sell with the new album. And merch isn’t limited to T-Shirts and tote bags, handmade items can make for great unique offerings. Here’s a tip, at your merch booth bundle your music with these items cheaply and easily through download stickers from MerchMusic.com, where 120 codes will cost you just $10. Even though people aren’t buying CDs much anymore, they are still interested in supporting artists they love so give them lots of different ways to support you and purchase your music instead of just having a CD and leaving it at that.
So remember, plan early so you can have these items when you’re ready to release a new album, which I will be getting in to in more detail in the next blog post where I will discuss some basic principles for an effective pre-sale and album launch.
With all due respect to Eminem and 50 Cent, sometimes people watch movies like 8 Mile and Get Rich Or Die Tryin’ and assume launching a Hip Hop career works the same way they see in movies. I meet a lot of unsigned, aspiring rappers. Between assisting in HipHopDX’s social media and marketing duties and working with Coast2CoastLive.com, I’m at well over 250 events each year. And since Hip Hop is still a multi-billion dollar industry, one of the most common questions I run across is how an artist can get their music posted online in hopes of launching a successful career. We’re doing 13 or 14 cities, and I also host four to six online showcases monthly, so those questions get asked pretty often. Luckily, I also encounter plenty of A&R’s, executives, signed artists and producers who have established themselves within the industry.
So the following advice comes from those professionals—people like Ken Lewis (check the production credits of J. Cole’s, Kanye West and Jay-Z’s latest albums, and you’ll see his name). When rappers hope to get posted on various Hip Hop blogs and websites, these are ultimately the people they hope to impress and work with. So we put together this list based on Robert Greene’s The 48 Laws Of Power. It’s geared to getting your stuff online or just an overall balance of how to be successful as an independent artist trying to get signed.
This isn’t some guaranteed guide on how you’re gonna get on. But between industry veterans like J-Hatch, LEP Bogus Boys, DJ ill Will and Torae, there are over 100 combined years of experience in this roundtable. For what it’s worth, I used to manage an OfficeMax before getting involved with DX, Coast2Coast and i-Standard Producers. I had to make the decision between taking a pay cut and keeping the same job, or taking my unemployment and severance pay to leave and pursue my passion. So I can relate to any aspiring artist out there with a stack of burned CDs in pursuit of their dream. Taking the advice from the industry vets you hope to someday work with—along with some planning, hard work and some luck—is a start.
Eric Beasley: Co-Owner of The world’s largest MC Battle League, SMACK/ URL and one of the largest Hip Hop YouTube channels online www.youtube.com/Theurltv. Beasley has also worked as an artist and producer manager in addition to his time at Warner as an A&R.
“Making the transition from your mother’s basement to Madison Square Garden can be extremely difficult in this current climate of the music business. Most labels won’t take a chance on an artist—especially a rapper without any traction. When I say traction, I mean trackable data about you or your brand. This data can be in the form of BDS [Broadcast Data Systems] or Mediabase radio spins, a huge buzz on a mixtape (thousands of on-line downloads, independent sales, or write ups and praise from notable publications) presence on key websites and blogs, significant views on YouTube with a music video or blogs, touring, endorsement from established artists etc. Many ask how this can be achieved when the competition has more money, contacts, management, etc. Getting signed or becoming a huge independent artist takes a plan!”
Riggs Morales: VP of A&R and Artist Development at Atlantic Records. For more music education insight, visit www.Itsriggdup.com
“Drive: This is the trait is what will keep you moving forward as doubt sets in, as progress is made or as you reach those ‘stand-still’ moments when nothing is happening.
“Creativity: The ability to stand out from the rest starts here. Even if you find yourself in a place clogged by others pursuing the same thing you are (producing, singing, rapping), you should nurture the ability to create something that sets you apart from everyone and will help you stand out.
“Resources: Learn to work with less to get more. You can do just as much with a three people as you can with a 1,000, if it’s all you have to work with. Learning to work with bare essentials will push you to make the best with what you have.
“Strategize: Once you’ve built a cohesive system with what you have, then it’s important to utilize the little you have with a strategic approach. Make every small step count towards bigger steps.
“Vision: Have a clear (and realistic) outline of where you want to be and what you think will take to get there. Know that it will not happen overnight. It will take you time as you develop a rhythm through trial and error, which will ultimately trim the fat off your artistry and unveil the artist you were meant to be.
“Get A Job: You will make no money as you work on your craft, which can lead to a stressful state of mind and interfere with your creative rhythms. Get a job that allows you to pay bills and put food on your table until your ‘passionate hobby’ turns into ‘paying occupation.’”
Ken Lewis: Multi-Platinum Producer for Kanye West, Jay-Z, Eminem, Drake, Usher, Danity Kane, Jeremih, 50 Cent. More info on Lewis and his online musical tutorial program is available via www.AudioSchoolOnline.com.
“The number one thing young artists forget is that it’s really all about the music. If your song doesn’t instantly and strongly connect to people who don’t know you, you’re not going to make it very far. Don’t listen to your friends and relatives. They love you and want to see you win. Watch the reactions to your music from people you don’t know. Don’t tell me, ‘Well this rapper got signed and his songs suck.’ Really? Is that where you set the bar for yourself? If you want to get noticed, make or find hot beats, and write an undeniable hit. Then do it again, and again, and you’ll get a deal. If it was easy, everybody would do it. It’s not easy, and it takes a ton of thankless, draining, work, coupled with tons of rejection and soul searching. But there are a few who will emerge every year to the top.”
L.E.P. Bogus Boys: Blueprint/Infared/Interscope Recording Artists. Follow Count and Moonie via Twitter at @LEPBOGUSBOYS.
“What you got to understand is that whether you’re independent or signed, it all falls on you. So you have to have an immediate team that multitasks and know their roles. We only got a team of five including us, and we all make the mechanism work. When you sign, look for a label that understands your brand not just because they got a lot of money for you. You also gotta build your relationships and stay persistent. That’s how we got so far—because of our immediate outlets of people we can get to. It took a whole lot to build that so strong, but it worked. More than anything, you gotta have good product and challenge yourself to be great.”
DJ ill Will: CEO of Tha Alumni Music Group & Manager for Kid Ink. Ill Will has worked with and broke some of the hottest artists in the game including Soulja Boy, Chris Brown, Tyga and more.
“No offense to the major labels, but stay Indie and get your paper up before you even consider a major label deal. Trust me, you won’t regret it! Putting yourself at the mercy of a major label is career suicide…unless you’re the rare few.
Brian “Z” Zisook: VP/Editor-in-Chief of DJBooth.net
“There are no hard and fast rules or stone cold lock advice that works universally when given to an aspiring artist, who is looking to escape from the confines of their mother’s basement and make it as a professional recording artist. There are, however, several steps that should be taken to ensure that you are giving yourself the best possible chance at future success. These steps include, but are certainly not limited to: finding a team of professionals who believe in you and your music, developing an identity as an artist and branding your stage name and music accordingly, and creating a product that will sell itself.”
Kyle “KP” Reilly: VP Idle Media Inc / DatPiff.com
“For an artist to have a chance to make it out their mama’s basement and into a label’s boardroom, a lot of things need to happen, including a bit of luck. For the most part, what an artist needs more than anything is a good, realistic head on their shoulders. If your head isn’t right, you have an inflated perception of yourself or of the game, you wont make it very far. Be humble, be yourself and don’t follow everyone else’s or industry trends. Work harder and harder for yourself—not just to talk about how hard you’re working—results will speak for themselves. And lastly, do not spam or annoy those who you are attempting to sell yourself or distribute your music to.”
J-Hatch: Co-CEO of I-Standard Producers. www.IstandardProducers.com
“These days, the general perception is that you need an online presence. Many aspiring artists then take to their social networks to send links out to people who in most cases consider that spamming. In reality it’s all about creating a balance—yes the Internet is important and influential. But networking, performing and building a fan base are all equally as important.”
“I think the number one misconception we get is they think others owe them because they made a song. Just because you made a song does not make it a venue’s responsibility to pay you all of a sudden. In order to get a paid booking, you must be able to sell tickets, alcohol or some other type of product for that venue or company. Music business is a business, and you must invest in yourself and your business until revenue starts being generated. If you are not getting paid to perform or feature on tracks, then you have not invested enough in yourself, period. The indie route is a smart route and can be done on a small budget, but it is still a budget. Until you realize this and make smart investments into your ‘music business,’ then it is a hobby, not a business.
The converse of that is that if you want a ‘major record deal,’ you must invest hundreds of thousands of dollars into your ‘music business.’ It takes that much investment for large returns to come in, which is the only thing that interests labels. So both ways cost time, money and of course effort and talent. But in today’s market you don’t really need the major label. You can generate a sufficient income by investing in your indie ‘music business’ until the revenue starts coming. And then you can just collect from the loyal fans you gained from investing!”
“I think the most important thing in today’s market is to be visible. It doesn’t matter if you make the best music in the world if no one hears it or no one knows. So you have to be visible—seen and heard. Do a lot of shows, even if they’re free shows…even if only your family is there. Perform your music. Master it, get it air tight and record it. YouTube has birthed a number of sensations, so definitely have it uploaded and linkable there. You also have to get used to giving away music for free. There is so much competition now, in order for people to know your music, you’re going to have to give some away to build an audience and fan base. Social networking is very important as well. Make sure you’re active on Facebook, Twitter, Instagram etc. The more people are into you and what you’re doing, the more they’ll care about the music, and the more they’ll spread the word.
“I did a docu-series last year called ‘Off The Record.’ I think all new and aspiring artists should check it out to get some insight on the ups and downs of the music business. It was filmed during the recording and release of my album For The Record. I did it so that I could shed some light on what it takes on the daily basis to grind out a career in music.”
New Music video by Caribbean Hiphop artist GMC performing “Bullshittin’ Wit Words“. (C) 2013 Futuristik Musik Group.
Written, Recorded & Edited By GMC for Futuristik Filmz 2013.
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Currently #2 on the ReverbNation charts for BB:
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Feel Free To Download , Comment , Share And Like These Pages &
Thanks In Advance For All The Support!
-The Bridgetown Knight II coming soon!!!